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The Orphanage





moves with her husband Carlos Laura into a vacant house, get out of this, a nursing home for disabled children to make. Thus, it returns after a good 30 years back to where they spent part of her childhood. After all, her new home was once an orphanage, where she lived up to its adoption. Also included is their son Simon, a bright boy who has a really vivid imagination. His favorite playmates are two imaginary friends, which, after a visit to the nearby beach and on nearby cave with a third Tomàs supervenes. Actually, his parents have already used to it, then bring his new friend and the old always stranger events with them. The situation dramatized even so much that disappears at the opening of the new children's home Simon. Shortly before, Laura had a mysterious boy with a bag over his head, as seen from a drawing by Simon Tomàs thus prepared, in the house. The search for Simon brings no results, the child appears as if the earth swallowed and the strange events in the house are increasing. It may seem as if the invisible friends of missing the desperate Laura to say something. The current trends in the horror film with one of the Description Rustic describe already really good. The Splatter and Gore arrived in the mainstream and almost every recent horror production has also the enormous consumption of fake blood. shall be published no wonder you can be if here and there sometimes even a rather more traditional film focuses on the more subtle and subliminal horror. Almost three years ago was

The Orphanage such a candidate who was also hailed by all sides. In its origin country of Spain, he was hyped as a new powerful and prestigious showcase for the Iberian genre film. And one must say: the praises of the so far the only full-length work of the former video clip director Juan Antonio Bayona are understandable.

The Orphanage is a beautifully quiet film that is not critical to large and elaborate showmanship. The story of Laura, Carlos and their son Simon is developing slowly, it is preceded by a brief look at the childhood of the mother and her time in the house that now - after many years - once again becomes their home. Even in this little flashback, the movie to create a sense of comfort. Feel-good moments come to mind and the family turns out to be a safe haven for the protagonists. This Bayona uses a skillful blend of warm but at the same time very cold and stylized acting images. The house was caught in perspectives, the one hand, it appears as a pleasant apartment, but also show a scary old building. Inside, it looks the same. There are many dark places and transitions here, which alternate with initially a brightly lit rooms. But with the disappearance of Simon's room for the night is done. The desperation of the characters, especially Laura, is also shown by the increasingly becoming darker rooms of the house.

With the darkness and the shadow also moves into the house of horrors. Again, this proves to be gentle and increases only marginally. Bayona directed the horror although not with the hand brake, refers here, but on the whole horror classic with hints dark secrets and the like, which states that to get to the bottom. There are good standards that you put this in the story. After a serious blow to the protagonist threatens to break out and is almost aware of the sinister and paranormal aspect of the story. Whether Laura's husband Carlos will be confronted as directly with the strange occurrences in the house and this is responsible as his wife, is never answered in full. Again, the role distribution is classic: Carlos is the eternal skeptic, a sober realist, as stressed by his job as a doctor and therefore the existing down roots in the realistic thinking science again. On the other hand, there is Laura and his wife. Absorbed in her grief, she is receptive to what ordinary people can exercise is difficult or where, would be dismissed as mere fantasy. This after the disappearance of her beloved son but still something in the house, which she is sure. With it, the spectator, one can imagine by a good many hints at the beginning on, which direction can take
The Orphanage
. Thus we see Simon talking in whispers in the cave with his new imaginary friend. He lays on the beach collected shells as a track on the way home so that it also finds him. After all, he has previously asked very polite, too, whether his new friend could visit him at home.
The Orphanage
hereby adopts the aspect that children are able to do, always something to see more than the jaded adult. The emergence of Tomàs shortly before his disappearance might indicate that it is now in the course of the film is therefore very generous, but the film remains rather quiet. Gooseflesh moments, very big even he can build anyway. Familiar horror elements teach one, if they are staged clean, even still in fear. One of the many small highlights is also Laura's use of a medium that looks to whether the couple find something in the house is. The very credible implementation of parapsychologists now occurring in combination with the escalating shock or fright moments is a good mix. So one would like displayed with the increasingly desperate expectant Laura, penetration by Belén Rueda , uncover the mystery of the disappearance of Simon.

She was taking this deep pain coming from the inside over the loss of a child every minute. It succeeds as many of his colleagues, Bayona, a nice mix of horror and drama performing it. The very modern or more recent genre film from Spain goes hand in hand with drama elements, creating an emotional bond to the wheels with the main character in the audience. And even if The Orphanage offer truly no fresh ideas or innovations has, it also reflects quality when a film can pack the well-known good response. This may be the film in any case, since it was implemented with enough sophistication. Towards the end, he falls a little off because we do not grow in the high plains expectations of the audience may hold entirely. You could even call it corny, if you wanted to look at anything negative film. With skill and resisting the attempt of making it look too obvious or clumsy, you could call it. It is a conciliatory end, coupled with terrible knowledge if the secret of Simon's disappearance is finally revealed.

is shown here but also nice that sometimes the best traditional horror, these creepy or Spukfilme works usually come from Spain. The people there have the right touch for it to implement interesting stories with dramatic features and a good dose of tension. The Orphanage is the best proof, he manages to create even by his little foreseeable developments still a meter thick and goose bumps to grab the viewer. It is perhaps not the best and biggest film of this division, but in any case a very good horror flick. If you have seen.

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